Dianne on Heidi 3
August 12th, 2009listening to her ancestors
there was a tsunami
bones became sand
reborn in the wrong skin
a petulant predicament
time to end the discussion and listen
listening to her ancestors
there was a tsunami
bones became sand
reborn in the wrong skin
a petulant predicament
time to end the discussion and listen
His look crumbles her
Her need rebuilds her
Some high ideal calms her
The axis of the earth revolves her
Her cliff-face avalanches
she arrives
Points of impact, fault lines, hanged,
preparing the dead, instinct, animal vs.human, war paint/groomed for battle,
desire, hunger, shame, disintegration, feeding on the fallen
eaten alive
Resurrection—leaving the tomb
a staircase
letting go of the body, the carcass
Grandmother’s story
led to the sound of water moving
stirring the landscape
tapping out a signal
becoming rock, hillside, landscape
moon passing behind clouds.
this land is virile—
a thick green chorus rises around surprising crisp bellies of water
that reflect the skies like satisfied lovers
once again my life is put in boxes
all excess objects pruned out and discarded, a Buddhist stocktake
the load lightens and the road beckons
My recent dance film, “She Sleeps” has been selected to screen as part of the American Dance Festival’s 14th annual Dancing for the Camera: International Festival of Film and Video Dance between July 10-12 2009 at Duke University, Durham, North Carolina, USA.
This work was originally made as part of the “Yours Truly” installation directed by Katrina Rank for the Art of Difference Festival in Melbourne, March 2009. It features dancer Jaye Hayes.
Last night was the first in a series of 3 performances I have planned over the next 10 weeks before I head overseas for a few months. My improvisational performance practice began intermittently in 2002 and gained momentum from 2005 with the formation of The Little Con collective (www.thelittlecon.net.au). This year I have decided to “fulfill my artistic destiny” (thank you Andrew Morrish) and have been intensifying my practice…part of this intensification is to work with duration as a means to see where that will take me/it.
singing up the past and the passed over
sounding out the memories and the missing
calling across the valley from this body to the disembodied
there’s a vision in my vocal chords
it’s red like childbirth and deep as regret
I open my throat and ignite
deciphering txt is hard enough
deciphering silence is harder